Australian Wildlife Sound Recording Group 2017 Workshop and Conference
6th – 11th September, 2017
Camp Cypress, Baradine, NSW.
AFAE Members are preparing to venture deep into the Pilliga forest for a week of listening to the natural world – sharing the skills and experience of nature sound recording for a variety of purposes, ranging from scientific research, to artistic responses.
The event is hosted by the Australian Wildlife Sound Recording Group at Camp Cypress near Baradine, on the edge of the Pilliga forest, the largest expanse of contiguous dry woodland in inland NSW, and a wonderful area for birdlife and wildlife sound recording.
The workshop will be a week of expert presentations and discussion, covering all aspects of wildlife and environmental sound recording, including:
Workshop facilitators include AFAE President Dr Leah Barclay, AFAE founding member Dr Ros Bandt and AFAE board member Andrew Skeoch who is the president of the Australian Wildlife Sound Recording Group. The week will also feature presentations from Jennifer Ackerman – science writer and author of ‘The Genius of Birds’, ecoacoustics specialist Michael Towsey and a range of other presenters you can explore here.
The workshop and conference is suitable for beginners, field naturalists, student and professional researchers, artists/musicians and anyone interested in engaging with the natural world more deeply through listening and acoustic ecology.
Download the program here or explore further information about the program and registration on the Australian Wildlife Sound Recording Group website.
AFAE founding member and internationally renowned Australian sound artist Dr Ros Bandt has created a stunning 2 CD set of original sound works fusing old and new, east and west influences with her cross-cultural modern Australian spike fiddle, the tarhu. This extraordinarily resonant instrument probes 6 world heritage sites in Europe and the Pacific, accompanies poetry in ancient Greek, Persian and Maltese, and connects with artists from China, Vietnam, Thailand, Turkey, the US, Greece, Crete, Germany, Australia, Thailand, and Samoa. She investigates the environmental issues of global warming in the arctic, water usage, fishing and farming ethics, and the biosphere reserves of America. The connections trace back to the worlds oldest bird, the lyrebird and the longest continuing culture on earth in Australia. Ros Bandt is at once a composer, sound artist and skilled musician, as at home in the concert hall, the gallery, the electro-acoustic studio, the internet or the bush as these CDs show. The works created over a decade interpret each acoustic space individually, from improvised solos and duets to elaborate electro-acoustic symphonies and award winning multi- channel works remixed. But it's the sonorous worlds she creates that are so worth the deep listening they invite.
Tarhu Connections launched on May 19th 2016 at the 14th century Venetian Sabbionara Gate in Hania, Crete at the opening of the collaborative exhibition Listening through the Walls, one of the tracks on the CD. It is in Hania that the Bandt developed her unique style on the tarhu informed by 30 years of performing , recording, sound research and acoustic ecology practice. Seven tracks were made at this incredible location. Purchase the double album online via the Hearing Places website.
In support of the project Bandt produced the ABC Radio Feature ‘Listening through the walls’ commissioned for Soundproof in 2016 which can be streamed online here. This radio feature explores one of the most ancient city states, Hania in the northwest of Crete, where walls have been built, destroyed, reformed and recycled according to its chequered history. It's one of the most contested morcels of land—changing hands from the Greeks, to the Christians, the Ottomans and Venetians, all before the two world wars. In this radio piece, Bandt collaborated with two local Haniot artists to take the people of Hania on an acoustic walk and discover through listening the changing identity of this fascinating town.
Ros Bandt began making multi-channel sound works in 1972 and has been a pioneer in the interdisciplinary possibilities of acoustic ecology both in Australia and internationally.
INVISIBLE PLACES 2017
SOUND, URBANISM AND SENSE OF PLACE
7-9 APRIL 2017
SÃO MIGUEL ISLAND, AZORES, PORTUGAL
Many studies engaged with acoustic ecology have focused on urban environments, motivated by increasing concerns about the sensory impoverishment related to the dominance of anthropogenic sound associated with traffic and other types of transport, machinery from industry or construction, alarm signals and other sounding activities, which often mask and interfere with our living environment. These anthropogenic sounds have tended to be linked to a lack of environmental quality, as they inhibit the perception of other natural sounds. The sounds of the wind, the water, the voicing of certain animals originating from natural landscapes often contrast with human sounds in urban landscapes. They often share the same physical characteristics as measured by volume, duration, frequency or tone, but are experienced by humans differently. Beauty is in the ear of the beholder, we could say.
Soundscapes are part of any ecosystem and a fundamental manifestation of life. Every individual and species contributes and responds differently to a given sonic context with its own perceptual mechanism and will use diverse communication strategies. Development processes and urbanization have directly influenced the environment, often in negative ways that eliminate or diminish unique sounds, causing loss of social identity and cultural diversity.
The aim of this conference is to bring together scholars, artists and theoreticians on soundscape art and ecology and encourage them to present new perspectives that will further interdisciplinary research and practice. We still know little about the complex relationships between landscapes and soundscapes or the significance of acoustic ecology for all living organisms including ourselves. Focused study and intentional stewardship of our sound heritage for the holistic evaluation of landscapes is fundamental to the evolution of all species, and will have a great impact on the survival of many.
More information at www.invisibleplaces.org
Sound + Environment 2017
Art | Science | Listening | Collaboration
29 June – 2 July 2017 | University of Hull
‘Sound + Environment 2017' is an international conference bringing together artists and scientists to explore the ways in which sound can deepen our understanding of environments. Keynotes include BAFTA award-winning sound artist and field recordist Chris Watson and Australian sound artist and president of the AFAE Leah Barclay. Through exploring scientific and artistic approaches together, the conference will engage with sound in order to create complementary ways of investigating, understanding, and taking action. This conference is endorsed by the World Forum for Acoustic Ecology (WFAE). Call for papers and creative works: www.soundenvironment.net
Anthony Magen is a Landscape Architect and Acoustic Ecologist navigating the ecotones of culture. This navigation is facilitated through the construction of the built environment in a professional capacity, through pedagogy, soundwalking as an active artistic practice and an ongoing commitment to the World and Australian Forums for Acoustic Ecology. Anthony Magen’s practice includes the presentation of neorealist abstractions in ‘live’ situations, small-scale interventions, audiovisual installations and photographic presentations facilitated throughout Australia. Anthony is the previous president of the AFAE. Explore the feature on Anthony's work at Liquid Architecture.